AIRS 4th Annual Meeting: 2012 Title: Children's Songs Fieldwork Project: Bahian Children Sing their Favourite Songs Authors: Angelita Broock (Federal University of Bahia), Beatriz Ilari (University of Southern California) Abstract Children sing in many contexts of their everyday lives. They learn songs and musical games as they interact with teachers, family members and friends, whether in moments of leisure or formal learning (Campbell, 2002). Songs play important roles in many aspects of their lives. But, to this date, little is known about the songs that children choose to sing well as their functions and meanings. Furthermore, how these songs shape early musical preferences remains unknown. This is especially true in the case of Brazil, where research concerning music and children is in its early stages. The present study was conducted in Salvador, Bahia, Brazil with six 4- to 6-year–olds. Although five children participated in the Outreach Project "Musicalização Infantil" of the Federal University of Bahia, they did not know each other. Children were invited to meet with the researcher as in a focus group, and talk about music and sing. Eleven songs were collected: nine traditional folksongs and two pop songs (e.g., Xuxa, Skank). Sung performances included both individual and collective renditions. These musical selections are probably a result of what children learn at home or at school. However, it was also interesting that children chose to sing traditional songs over invented or pop ones. The fact that children were singing in groups and that the researcher was the music teacher of many, possibly influenced their selection. Likewise, it is also possible that this repertoire represents the stereotypical view of music teaching in the early years. As Campbell (2002) suggested, it is generally accepted that teachers, have a very similar repertoire, despite their own particularities. In Brazil, this also happens, with and usually this "common repertoire" contains songs of the folk repertoire. A full musicological analysis of songs, lyrics, contents, singing ranges and meanings attributed to selections will be presented at the meeting. Implications for music education will also be provided.